Tag Archives: art

Feels like Hollywood

A Family Matter

By Will Eisner

A rather simplistic and predictable tale of siblings fighting over the estate of their father, who is not yet dead. Eisner’s images in this graphic novella are able to get very quickly to the heart of each character, but not without relying on cliché in storytelling. So the pretty daughter is the one who grants sexual favours, for example. No surprises there. It feels like Hollywood. But then, Eisner is a part of the American dream factory, such is the influence of his graphic novels. There’s no doubting the man’s artistic talent. But, in A Family Matter at least, his storytelling could be more refined.

The beauty, the beauty

Heart of Darkness (graphic novel)

By Joseph Conrad, Catherine Anyango and David Zane Mairowitz

Like many literature students, I had to read Conrad’s groundbreaking novella twice before I understood its importance. Not only did I need to get my head around what was actually going on, I also had to spend time understanding that Conrad’s obfuscation was deliberate. For the first time here was a writer marrying content to form: the impenetrable nature of the Congo’s forests and people (to a European) were reflected in the language used to tell the story. Ingenius!

Of course, since Conrad published his tale in 190X, the graphic novel has become the dominant form of literature. (What do you mean it hasn’t?) Or at least, a significant player in storytelling. Indeed, where prose writers almost find it impossible to break boundaries of form in 2011, graphic novelists and cartoonists are still able to push their form further and further. Such is the achievement of Catherine Anyango in her arresting and disturbing visual retelling of Conrad’s famous story. David Zane Mairowitz has adapted the text itself, using Conrad’s memorable descriptions and dialogue, but it is Anyango’s images that win the day here.

In what appears to be charcoal or pastel, Anyango has managed to capture the shapes of this story. The action is not always clear in every frame – in fact, hardly ever – but that is an achievement, not a drawback. Anyango’s challenge was to translate Conrad’s confusing language into images. And she has done so expertly. Even taken out of context, these images are stunning, unnerving and even frightening.